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              <text>Painting Disorders launched their celebrated inaugural show in November 1994 in a rough space on King West. Eye Magazine called the show “a focused, strategic view of the place of painting in the information age” and Canadian Art magazine wrote that it was “one of those tight-as-a-drum shows where each artist carefully reins in his or her work to create an impression of unity and purpose.” In interviews with Painting Disorders founding members Eric Glavin, Angela Leach and Mark Bell we delve into this collective’s desire to explore the diversity of expression to be found in contemporary non-representational painting. The artists also discuss their influences as well as the challenge in finding opportunities to show their work in an artist-run or commercial gallery scene that had little capacity to exhibit emerging artists.</text>
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              <text>"The brainchild of Toronto artist Dyan Marie, Cold City was formed as a new way to exhibit and sell work. While many hybrid galleries similar to the Cold City model have flourished since, Cold City was arguably the first of its kind in Toronto."&#13;
 The Cold City Years: Power Plant &#13;
&#13;
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              <text>Spontaneous Combustion was a collective of contemporary visual artists, many who had graduated from the Ontario College of Art in the early-to-mid 1980’s. These artists worked in a variety of media ranging from large format printmaking to holography and almost all presented their work in installation format. In interviews supported by archival film and photography, Spontaneous Combustion founders b.h. yael, Gwen MacGregor and Caroline Langill discuss the collective’s origins, the role of the artist as curator and how few opportunities existed for installation artists, particularly for artists who were working with kinetic work or electronics.</text>
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              <text>Co-founders of Toronto's Loop Gallery, Richard Mongiat and Catherine Beaudette, tell the story of how the collective came together in response to the lack of opportunities to exhibit for mid-career artists in the late 1990's. Artists Candida Girling, David Holt and Gareth Bate also explain why the gallery is so important to the Toronto visual art community to this day.</text>
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