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              <text>One list describing all the donations and income for the Metro Days of Action and a second list for all the expenses.&#13;
&#13;
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              <text>A survey of all of the media coverage of the Metro Days of Action. Includes information about 361 video and radio news stories aired between 1996-10-22 and 1996-10-29 related to the MDOA including what they were about and how much airtime was devoted to the topic.   &#13;
&#13;
Also attached is the shipping statement for the copies of video and radio coverage of the MDOA ordered by Paul Forder on behalf of the Metro Days of Action. [text by SV]</text>
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                <text>The information was shipped to 15 Gervais Drive, Don Mills, On</text>
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              <text>Ecomedia was an internationally connected, Toronto-based anarchist bulletin that began circulating in 1987. It ceased publication in the early 1990s.</text>
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                <text>9 St. Joseph Street, 2nd floor</text>
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              <text>Suspect Video, which was tucked behind Honest Ed's on Markham Street, was &lt;em&gt;the&lt;/em&gt; place to rent indie, horror, exploitation, documentary, anime and other underground films. I lived a couple of blocks away on Euclid Avenue so this was my local video store. Now, condos.</text>
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              <text>The 360 was founded in 1945 as a social club for Ukrainian veterans, and became a key Queen Street music venue in the early 1990s.</text>
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              <text>This was  the assembly point for the march.</text>
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              <text>This occurred at the beginning of the march in the parking lot of the mall at Keele and Rogers Road.</text>
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                <text>Depicted are Katie McGovern and Julia Barnett two prominent local labour leaders reassuring Toronto police. </text>
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              <text>This image depicts Joan collecting donations to help pay for the event.</text>
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                <text>Day of Action City of York - Principal Organizer </text>
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                <text>This image depicts Joan Roberts. Joan was a Ward 4 councillor in the former City of York. She was a principal organizer and marshall of the Day of Action City of York event.  In this image, Joan is wearing a pink marshall's hat. </text>
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                <text>Coronation Park in the former city of York  </text>
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              <text>Local unions and community members remained in their working class community of the City of York to protest. Possibly for the first time.&#13;
&#13;
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              <text>Hundreds of people assembled on Rogers Rd near Keele St in the former city of York to participate in the march. </text>
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              <text>&lt;p&gt;This show was one of a series of benefits for ACT for Disarmament and took place after a demonstration to protest the 1991 Gulf War.&lt;/p&gt;&#13;
&lt;p&gt;Nicole Tanguay is a Two-Spirit poet, playwright, musician and advocate for Indigenous rights. Their work has appeared in the anthologies T&lt;em&gt;he Colour of Resistance: A Contemporary Collection of Writing by Aboriginal Women&lt;/em&gt; (Toronto: Sister Vision Press, 1993), &lt;em&gt;Miscegenation Blues: Voices of Mixed Race Women&lt;/em&gt;, ed. Carol Camper (Toronto: Sister Vision Press, 1994) and &lt;a href="https://chbooks.com/Books/A/Any-Other-Way" target="_blank" rel="noopener"&gt;Any Other Way: How Toronto Got Queer&lt;/a&gt;, eds. John Lorinc, Jane Farrow, Stephanie Chambers et al.&amp;nbsp; (Toronto: Coach House Books, 2017).&lt;/p&gt;&#13;
&lt;p&gt;A studio recording of "By Any Means Necessary" appears on the unreleased Mourning Sickness CD &lt;em&gt;Nihil Obstat&lt;/em&gt; and is included here. The full album is available on the band's &lt;a href="https://soundcloud.com/mourningsickness" target="_blank" rel="noopener"&gt;Soundcloud page&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Apocalypse Club , 750 College Street</text>
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              <text>&lt;p&gt;This show was one of a series of benefits for ACT for Disarmament and took place after a demonstration to protest the 1991 Gulf War.&lt;/p&gt;&#13;
&lt;p&gt;"Cells" is a poem by the Seneca writer Mary Bennett, which appeared in &lt;a href="http://sinisterwisdom.org/sites/default/files/Sinister%20Wisdom%2022%20and%2023.pdf" target="_blank" rel="noopener"&gt;&lt;em&gt;Sinister Wisdom: A Gathering of Spirit&lt;/em&gt;&lt;/a&gt; 22/23, ed. Beth Brant (Iowa City: Iowa City Women's Press, 1983). It was later reprinted in the anthology &lt;em&gt;A Gathering of Spirit: A Collection by North American Indian Women,&amp;nbsp;&lt;/em&gt;eds. Michelle Cliff and Adrienne Rich (Ithica NY: Firebrand Books, 1988).&lt;/p&gt;&#13;
&lt;p&gt;Mourning Sickness was invited to do a musical interpretation of the piece for the Queeradio special feature "Cells and My Girlfriend," which was produced by labour and prisoners' justice activist Gay Bell and broadcast on CKLN in 1990. The handbill for the program is included here.&lt;/p&gt;</text>
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              <text>&lt;div style="padding: 56.25% 0 0 0; position: relative;"&gt;&lt;iframe width="300" height="150" style="position: absolute; top: 0; left: 0; width: 100%; height: 100%;" src="https://player.vimeo.com/video/298796745?title=0&amp;amp;byline=0&amp;amp;portrait=0" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;/div&gt;&#13;
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              <text>&lt;p&gt;This show was one of a series of benefits for ACT for Disarmament and took place after a demonstration to protest the 1991 Gulf War.&lt;br /&gt;&lt;br /&gt;"The Rubber Rap" was originally written by The Fuckheads (aka Michael Smith, Tracey Tief, Kenn Quayle and other residents of the queer punk house Kathedral B) and was performed by Mourning Sickness in Smith's play &lt;em&gt;Person Livid with AIDS&lt;/em&gt;. Here, they are joined by members of the band Steal This Book.&lt;/p&gt;&#13;
&lt;p&gt;Lyric page, with performance notes, from the zine &lt;em&gt;Coming On&lt;/em&gt; (Fall 1988).&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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              <text>&lt;div style="padding: 56.25% 0 0 0; position: relative;"&gt;&lt;iframe width="300" height="150" style="position: absolute; top: 0; left: 0; width: 100%; height: 100%;" src="https://player.vimeo.com/video/298796230?title=0&amp;amp;byline=0&amp;amp;portrait=0" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;/div&gt;&#13;
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              <text>Melanie Liwanag Aguila</text>
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                <text>Mourning Sickness performs "The Rubber Rap" live at the Apocalypse Club.  </text>
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                <text>Melanie Liwanag Aguila</text>
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                <text>Apocalypse Club, 750 College Street</text>
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        <name>AIDS Activism</name>
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          <description>Additional information about the item.</description>
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              <text>Includes information about SEED's history, philosophy and democratic structure. Cover image: "Cow" by Gordon Foster, 1988.</text>
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                <text>SEED Orientation Booklet</text>
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            <description>An account of the resource</description>
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                <text>An orientation booklet for newly-admitted students to SEED Alternative School.</text>
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              <elementText elementTextId="3771">
                <text>Shona Kearney</text>
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                <text>ca. 1989</text>
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                <text>Lilian Radovac</text>
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                <text>SEED Alternative School</text>
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              <text>My first "activist video" was inspired by my horror at the ambitiously amoral Ontario Premier Mike Harris, who to this day I would very much like to see boiled alive in tar. &#13;
&#13;
During the Metro Days of Action - October 25 &amp; 26, 1996, culminating in the largest protest march ever in Toronto - I was struck at the sheer volume of camcorders, which had only recently become a hot consumer item. What could be done, I thought, if these amateur videographers pooled their resources? &#13;
&#13;
So, after the fact, I managed to get a notice published in NOW Magazine asking for raw footage, and about ten people got back to me with their varied documents of the protest. I then set about figuring how to give all this random shaky stuff some kind of form.&#13;
&#13;
Still developing my chops as an editor, I decided to structure the video around a single speech, a particularly compelling piece of oratory by Joan Grant-Cummings, then president of the National Action Committee on the Status of Women. I used her words as a frame off of which I hung images that both reflected on her words and encapsulated the broad variety of creative actions that were undertaken that weekend. &#13;
&#13;
Simple though it may have been in concept, the technical process was unique to its time. One of the videographers I got in touch with, Vic Garbutt, was the coordinator of the Bain Co-op closed circuit TV station, and he offered his non-frame-accurate VHS editing facilities to complete the video. To save studio time, I actually edited the audio *first*, running sound from my living room VCR to my Yamaha cassette 4-track recorder. I then edited the picture to the sound, again without precise frame control, so that I had to avoid images with sync audio wherever possible. This maddening process involved a great deal of logging and timing and fussing ahead of the fact, using techniques I had learned while working in post-production at Vision TV. &#13;
&#13;
The video debuted at Symptom Hall on the one year anniversary of the protest. Shortly thereafter I brought the tape to an open screening at U of T, and that night I met what would become the nucleus of the Toronto Video Activist Collective.</text>
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              <text>7:43</text>
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              <text>Jonathan Culp</text>
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              <text>&lt;br /&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/iM8AbXu5fXc" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>Action!</text>
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                <text>An activist video about the Metro Days of Action, which uses camcorder footage contributed by ten different participants.</text>
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                <text>1997</text>
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                <text>Jonathan Culp</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="3760">
                <text>Jonathan Culp&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noopener noreferrer"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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        <name>1996</name>
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        <name>Joan Grant-Cummings</name>
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        <name>Metro Days of Action</name>
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        <name>Mike Harris</name>
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        <name>National Action Committee on the Status of Women</name>
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        <name>Toronto Video Activist Collective</name>
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        <name>Unpopular Arts</name>
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                  <text>Arm the Spirit Collection</text>
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                  <text>Arm the Spirit</text>
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              <text>Lyrics:&#13;
You always look so confused &#13;
standing under the light &#13;
you stutter and you stammer and use fucked up grammar &#13;
but you always get a good sound bite &#13;
you used to be coated in Teflon &#13;
but now that Teflon's wearing thin &#13;
you slide to the edge but you always manage &#13;
to get out of the shit you're in &#13;
&#13;
when you lie lie lie &#13;
makes me wonder why &#13;
we always buy buy buy &#13;
that same old pie in the sky &#13;
&#13;
I can see through your eyes into the back of your head &#13;
there's nothing there but all the stale air and bullshit we're being fed &#13;
and so the truth lays dormant &#13;
buried under years of deceit &#13;
as you privatize and demonize &#13;
you tell us it's what we need &#13;
&#13;
it's a bad time to be sick it's a bad time to be poor &#13;
tax cuts for the rich, pepper spray for the kids &#13;
and bullets for Dudley George &#13;
and so the truth lays dormant &#13;
buried under years of deceit &#13;
as you privatize and demonize &#13;
you tell us it's what we need</text>
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              <text>02:15</text>
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              <text>CD</text>
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                <text>Pie In The Sky</text>
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                <text>A protest song about Mike Harris by the Toronto-based punk band The Fallout. From their 2005 album &lt;em&gt;What Is Past Is Prologue&lt;/em&gt;.</text>
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                <text>The Fallout</text>
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                <text>Sylvia Nowak</text>
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                <text>MP3</text>
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                <text>The Fallout&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noopener noreferrer"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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