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        <name>Palmerston  Boulevard</name>
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        <name>Queercore</name>
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        <name>Trash Compactor</name>
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          <name>Context</name>
          <description>Additional information about the item.</description>
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            <elementText elementTextId="3729">
              <text>A photo taken in front of SEED's location at 22 College Street, beside Fran's Restaurant. The photo features goldsmith Shona Kearney, who teaches at George Brown College, and musician Mike Moya, who went on to become a founding member of the band Godspeed You Black Emperor.</text>
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                <text>SEED Alternative School</text>
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                <text>A photo taken in front of SEED Alternative School on College Street.</text>
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                <text>Elana Horowitz</text>
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              <elementText elementTextId="3722">
                <text>Elana Horowitz</text>
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                <text>1990</text>
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                <text>Lilian Radovac</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="3725">
                <text>Elana Horowitz&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noopener noreferrer"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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                <text>22 College Street</text>
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        <name>College Street</name>
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        <name>Mike Moya</name>
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        <name>SEED Alternative School</name>
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        <name>Shona Kearney</name>
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        <element elementId="53">
          <name>Context</name>
          <description>Additional information about the item.</description>
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            <elementText elementTextId="3734">
              <text>&lt;p&gt;Published during the 1998 Active Resistance social anarchism gathering.&lt;/p&gt;&#13;
&lt;p&gt;For more on Active Resistance, see Allan Antliff, "Anarchy in Toronto," &lt;a href="https://theanarchistlibrary.org/library/allan-antliff-anarchy-in-toronto" target="_blank" rel="noopener"&gt;&lt;em&gt;Fifth&lt;/em&gt; &lt;em&gt;Estate&lt;/em&gt; #352&lt;/a&gt;, Winter 1999.&lt;/p&gt;</text>
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          <description>The type of object, such as paper, photo, cassette tape, Super 8, and additional data.</description>
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            <elementText elementTextId="3761">
              <text>zine</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="3732">
                <text>in the streets</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="3733">
                <text>Daily zine/newsletter: August 22nd, 1998 issue </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3735">
                <text>stefan, aitlin, manju, steve, tyrone, anne</text>
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            <name>Contributor</name>
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              <elementText elementTextId="3736">
                <text>Dave Fingrut</text>
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                <text>1998-08-22</text>
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                <text>Symptom Hall, 160 Claremont Street</text>
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                <text>Dave Fingrut</text>
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                <text>the band of wayward travelers</text>
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            <description>The nature or genre of the resource</description>
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        <name>1998</name>
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        <name>Active Resistance</name>
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        <name>Anarchism</name>
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        <name>Anarchist Free School</name>
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        <name>Band of Wayward Travelers</name>
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        <name>Claremont Street</name>
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        <name>Emma Goldman</name>
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        <name>Social Anarchism</name>
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        <name>Symptom Hall</name>
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              <text>Lyrics:&#13;
You always look so confused &#13;
standing under the light &#13;
you stutter and you stammer and use fucked up grammar &#13;
but you always get a good sound bite &#13;
you used to be coated in Teflon &#13;
but now that Teflon's wearing thin &#13;
you slide to the edge but you always manage &#13;
to get out of the shit you're in &#13;
&#13;
when you lie lie lie &#13;
makes me wonder why &#13;
we always buy buy buy &#13;
that same old pie in the sky &#13;
&#13;
I can see through your eyes into the back of your head &#13;
there's nothing there but all the stale air and bullshit we're being fed &#13;
and so the truth lays dormant &#13;
buried under years of deceit &#13;
as you privatize and demonize &#13;
you tell us it's what we need &#13;
&#13;
it's a bad time to be sick it's a bad time to be poor &#13;
tax cuts for the rich, pepper spray for the kids &#13;
and bullets for Dudley George &#13;
and so the truth lays dormant &#13;
buried under years of deceit &#13;
as you privatize and demonize &#13;
you tell us it's what we need</text>
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              <text>CD</text>
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                <text>Pie In The Sky</text>
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                <text>A protest song about Mike Harris by the Toronto-based punk band The Fallout. From their 2005 album &lt;em&gt;What Is Past Is Prologue&lt;/em&gt;.</text>
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                <text>The Fallout</text>
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="3747">
                <text>Sylvia Nowak</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="3748">
                <text>MP3</text>
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            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3762">
                <text>2005</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="3764">
                <text>The Fallout&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noopener noreferrer"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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        <name>Days of Action</name>
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        <name>Mike Harris</name>
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        <name>Punk</name>
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        <name>Rebel Time Records</name>
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        <name>The Fallout</name>
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          <name>Context</name>
          <description>Additional information about the item.</description>
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              <text>My first "activist video" was inspired by my horror at the ambitiously amoral Ontario Premier Mike Harris, who to this day I would very much like to see boiled alive in tar. &#13;
&#13;
During the Metro Days of Action - October 25 &amp; 26, 1996, culminating in the largest protest march ever in Toronto - I was struck at the sheer volume of camcorders, which had only recently become a hot consumer item. What could be done, I thought, if these amateur videographers pooled their resources? &#13;
&#13;
So, after the fact, I managed to get a notice published in NOW Magazine asking for raw footage, and about ten people got back to me with their varied documents of the protest. I then set about figuring how to give all this random shaky stuff some kind of form.&#13;
&#13;
Still developing my chops as an editor, I decided to structure the video around a single speech, a particularly compelling piece of oratory by Joan Grant-Cummings, then president of the National Action Committee on the Status of Women. I used her words as a frame off of which I hung images that both reflected on her words and encapsulated the broad variety of creative actions that were undertaken that weekend. &#13;
&#13;
Simple though it may have been in concept, the technical process was unique to its time. One of the videographers I got in touch with, Vic Garbutt, was the coordinator of the Bain Co-op closed circuit TV station, and he offered his non-frame-accurate VHS editing facilities to complete the video. To save studio time, I actually edited the audio *first*, running sound from my living room VCR to my Yamaha cassette 4-track recorder. I then edited the picture to the sound, again without precise frame control, so that I had to avoid images with sync audio wherever possible. This maddening process involved a great deal of logging and timing and fussing ahead of the fact, using techniques I had learned while working in post-production at Vision TV. &#13;
&#13;
The video debuted at Symptom Hall on the one year anniversary of the protest. Shortly thereafter I brought the tape to an open screening at U of T, and that night I met what would become the nucleus of the Toronto Video Activist Collective.</text>
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            <elementText elementTextId="3758">
              <text>VHS</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours).</description>
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            <elementText elementTextId="3759">
              <text>7:43</text>
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          </elementTextContainer>
        </element>
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          <name>Director</name>
          <description>Name (or names) of the person who produced the video</description>
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            <elementText elementTextId="3766">
              <text>Jonathan Culp</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Player</name>
          <description>html for embedded player to stream video content</description>
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            <elementText elementTextId="3767">
              <text>&lt;br /&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/iM8AbXu5fXc" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Action!</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3752">
                <text>An activist video about the Metro Days of Action, which uses camcorder footage contributed by ten different participants.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="3754">
                <text>Jonathan Culp</text>
              </elementText>
            </elementTextContainer>
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              <elementText elementTextId="3755">
                <text>Jonathan Culp</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date</name>
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              <elementText elementTextId="3756">
                <text>1997</text>
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          <element elementId="48">
            <name>Source</name>
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              <elementText elementTextId="3757">
                <text>Jonathan Culp</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <text>&lt;p&gt;This show was one of a series of benefits for ACT for Disarmament and took place after a demonstration to protest the 1991 Gulf War.&lt;br /&gt;&lt;br /&gt;"The Rubber Rap" was originally written by The Fuckheads (aka Michael Smith, Tracey Tief, Kenn Quayle and other residents of the queer punk house Kathedral B) and was performed by Mourning Sickness in Smith's play &lt;em&gt;Person Livid with AIDS&lt;/em&gt;. Here, they are joined by members of the band Steal This Book.&lt;/p&gt;&#13;
&lt;p&gt;Lyric page, with performance notes, from the zine &lt;em&gt;Coming On&lt;/em&gt; (Fall 1988).&lt;/p&gt;&#13;
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              <text>&lt;p&gt;This show was one of a series of benefits for ACT for Disarmament and took place after a demonstration to protest the 1991 Gulf War.&lt;/p&gt;&#13;
&lt;p&gt;"Cells" is a poem by the Seneca writer Mary Bennett, which appeared in &lt;a href="http://sinisterwisdom.org/sites/default/files/Sinister%20Wisdom%2022%20and%2023.pdf" target="_blank" rel="noopener"&gt;&lt;em&gt;Sinister Wisdom: A Gathering of Spirit&lt;/em&gt;&lt;/a&gt; 22/23, ed. Beth Brant (Iowa City: Iowa City Women's Press, 1983). It was later reprinted in the anthology &lt;em&gt;A Gathering of Spirit: A Collection by North American Indian Women,&amp;nbsp;&lt;/em&gt;eds. Michelle Cliff and Adrienne Rich (Ithica NY: Firebrand Books, 1988).&lt;/p&gt;&#13;
&lt;p&gt;Mourning Sickness was invited to do a musical interpretation of the piece for the Queeradio special feature "Cells and My Girlfriend," which was produced by labour and prisoners' justice activist Gay Bell and broadcast on CKLN in 1990. The handbill for the program is included here.&lt;/p&gt;</text>
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        <name>Mary Bennett</name>
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        <name>Tracey TieF</name>
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              <text>&lt;p&gt;This show was one of a series of benefits for ACT for Disarmament and took place after a demonstration to protest the 1991 Gulf War.&lt;/p&gt;&#13;
&lt;p&gt;Nicole Tanguay is a Two-Spirit poet, playwright, musician and advocate for Indigenous rights. Their work has appeared in the anthologies T&lt;em&gt;he Colour of Resistance: A Contemporary Collection of Writing by Aboriginal Women&lt;/em&gt; (Toronto: Sister Vision Press, 1993), &lt;em&gt;Miscegenation Blues: Voices of Mixed Race Women&lt;/em&gt;, ed. Carol Camper (Toronto: Sister Vision Press, 1994) and &lt;a href="https://chbooks.com/Books/A/Any-Other-Way" target="_blank" rel="noopener"&gt;Any Other Way: How Toronto Got Queer&lt;/a&gt;, eds. John Lorinc, Jane Farrow, Stephanie Chambers et al.&amp;nbsp; (Toronto: Coach House Books, 2017).&lt;/p&gt;&#13;
&lt;p&gt;A studio recording of "By Any Means Necessary" appears on the unreleased Mourning Sickness CD &lt;em&gt;Nihil Obstat&lt;/em&gt; and is included here. The full album is available on the band's &lt;a href="https://soundcloud.com/mourningsickness" target="_blank" rel="noopener"&gt;Soundcloud page&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Apocalypse Club , 750 College Street</text>
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              <text>Hundreds of people assembled on Rogers Rd near Keele St in the former city of York to participate in the march. </text>
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              <text>Local unions and community members remained in their working class community of the City of York to protest. Possibly for the first time.&#13;
&#13;
In the 1930s the area depicted in this photograph was a tent city for local residents who had lost their homes. </text>
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                <text>Keele Street between Rogers Road and Eglinton Avenue.</text>
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              <text>This image depicts Joan collecting donations to help pay for the event.</text>
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              <text>This occurred at the beginning of the march in the parking lot of the mall at Keele and Rogers Road.</text>
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                <text>Day of Action City of York - Reassuring Police </text>
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                <text>Depicted are Katie McGovern and Julia Barnett two prominent local labour leaders reassuring Toronto police. </text>
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        <name>Toronto Police</name>
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              <text>Participants came from local communities and included union members who worked locally. Usually local activists  join downtown based events but for the Days of Action we stayed in our home community which was an incredible experience for the local community. We could see each other.</text>
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                <text>The protest march ended in a rally at Coronation Park which is behind the Old City Hall for the City of York. </text>
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                <text>Coronation Park  at Keele and Eglinton</text>
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              <text>The pink banner belonged to the City of York Women's Committee.  </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="3901">
                <text>Joan M. Roberts</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3902">
                <text>1996-10-25</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="3903">
                <text>Keele St and Rogers Road</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3904">
                <text>Personal collection</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3907">
                <text>Unknown</text>
              </elementText>
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        </elementContainer>
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        <name>1996</name>
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      <tag tagId="953">
        <name>City of York</name>
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        <name>Keele Street</name>
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      <tag tagId="958">
        <name>March</name>
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      <tag tagId="917">
        <name>Metro Days of Action</name>
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      <tag tagId="954">
        <name>OSSTF</name>
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      <tag tagId="955">
        <name>Photograph</name>
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      <tag tagId="1208">
        <name>Rogers Road</name>
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  <item itemId="413" public="1" featured="0">
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      <file fileId="488">
        <src>https://www.alternativetoronto.ca/archive/files/original/f888c3d997096732bcd80e47837a6d07.jpeg</src>
        <authentication>364716173bc56333e31780fc8e3961ba</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="16">
                  <text>Lilian Radovac Collection</text>
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              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="295">
                  <text>1987-1994</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="296">
                  <text>Lilian Radovac</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="53">
          <name>Context</name>
          <description>Additional information about the item.</description>
          <elementTextContainer>
            <elementText elementTextId="3929">
              <text>The 360 was founded in 1945 as a social club for Ukrainian veterans, and became a key Queen Street music venue in the early 1990s.</text>
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          <name>Original Format</name>
          <description>The type of object, such as paper, photo, cassette tape, Super 8, and additional data.</description>
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            <elementText elementTextId="3930">
              <text>Cardboard</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The 360 </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Membership card for Club 360, aka Ukrainian Branch no. 360 of the Royal Canadian Legion.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="3923">
                <text>Lilian Radovac</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3924">
                <text>ca. 1992</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="3925">
                <text>Lilian Radovac</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="3926">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="3927">
                <text>Card</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="3928">
                <text>326 Queen Street West</text>
              </elementText>
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          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="170">
        <name>1992</name>
      </tag>
      <tag tagId="967">
        <name>360 Club</name>
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      <tag tagId="968">
        <name>Music Venues</name>
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      <tag tagId="7">
        <name>Queen Street West</name>
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      <tag tagId="969">
        <name>Royal Canadian Legion</name>
      </tag>
      <tag tagId="970">
        <name>Ukrainian culture</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
