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              <text>This pamphlet provides background information regarding the issue of the University of Toronto astronomy department potentially becoming a partner in the Columbus Project. It outlines the impacts the project would have on Mt. Graham's endangered red squirrel population, the human rights violations the telescope poses to the Apache, and the ethical implications of placing scientific interests before both these concerns. </text>
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              <text>This meeting primarily discussed lobby efforts around the Mt. Graham Telescope Project, including making a presentation to the U of T Governing Council to convince them to reject the project, approaching the the Astronomy Department to discourage their involvement, and lobbying other departments in the university against the Astronomy Department.</text>
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              <text>The project, implemented from May to August 1992, researched how to use composting as a means to divert the University of Toronto's organic waste and developed a framework of information to promote composting initiatives. The final report was compiled by Tullio Bugada but the project was implemented collectively by an OPIRG summer working group. </text>
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              <text>The decision to discontinue the York Campaign was reached as a result of having over just half of the number of required volunteers necessary for the petition drive to succeed, a lack of a reliable Organizing Committee, and lack of clarity regarding whether a chapter at York would be entitled to initiate a referendum.</text>
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&#13;
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              <text>Dr. Kin Yip Chun, a University of Toronto researcher, was wrongfully denied a tenure-track position after serving for ten years in the Department of Physics. Despite a track record of significant achievements including over 26 publications in scientific journals and over 1.4 million dollars in research funding, Dr. Chun was passed over for tenure, was denied the opportunity to apply for further grant funding, and had his lab shut down before being evicted by campus police on only three-hours notice. After a protracted struggle, Dr. Chun was recognized by the University with an appointment to Assistant Professor. &#13;
&#13;
The Dr. Chun Resource Library "exists as a space for community members and University of Toronto students to access factual, critical, and alternative materials that facilitate resistance to oppression among and between diverse communities". &#13;
&#13;
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&#13;
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              <text>Nina Hagen Das - El Mocambo I cant speak to the 80's as I was still in the UK but in the early 90's; finding Women in the male-dominated "traditional" Toronto Punk Scene was like spotting a Unicorn. With the exception of Chicken Milk every other band we played with was male. &#13;
&#13;
Along with it came the assumptions we must be looking to get laid and the musician part clearly secondary. No men got laid as a result of this band, sorry fella's! (It should be noted that several men, including those who invited us to play gigs, were extremely respectful and supportive and I think frankly excited to see the scene become more inclusive) &#13;
&#13;
As a result of the NHD several of our equally talented female friends also went on to form their own Punk bands, relinquishing their former roles of "audience member" at BFG, Armed &amp; Hammered &amp; Random Killing gigs. &#13;
&#13;
Ginny was older than us and not only the best punk drummer I'd played with to date but the only female one ever and continued after we dis-banded. Preston also went on to play in several punk bands, but even back in his early days there was a melodic sensibility to his Bass playing that helped us stand out and that I really enjoyed. Christine became another fixture in the scene, she also played the saxophone making us stand out further as well as opening up the possibility of true to form X-Ray Spex covers (Identity). We also covered Nina Hagen (Smack Jack), Ramones (Warthog), Ice T / Bodycount (Cop Killer) as well as our own original material. &#13;
&#13;
Our only recording was laid down live to tape in 1 take, while sharing a rehearsal space with Mourning Sickness, in the garage at Kathedral B in May 1993. - "Plastic Doll" clearly demonstrates the early presence of gender-queer and non-binary identities in the Toronto Scene, and speaks to the confusion / resigned loneliness of attempting to navigate as such, in a pre-internet world where you simply "did not exist", let alone expect to one day  find your "Others" and be allowed to occupy those spaces outside the gender binary. &#13;
&#13;
Shortly after it's recording I opted to leave the punk scene and pursue a new direction opened up to me by a second band I was now in... Mourning Sickness. The rest is MISS-tory and it's time to correct that.</text>
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