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                <text>Two nights of punk/hardcore at the Beverley.</text>
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240 Queen St. West</text>
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              <text>The police cars were yellow in 1988. The billboard had fliers for people to tear off and read about the cases. The fliers were added daily for months. It came down just before Michael Wade Lawson was killed on Dec 8, 1988.</text>
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                <text>Photograph of a billboard put up after Gardner Myers was killed by police. July 1988. Lester Donaldson's name was added August 9 when he also was killed by the police. </text>
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                <text>Baldwin St. just west of Spadina Ave, Kensington Market</text>
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                <text>Rocky Zenyk&amp;nbsp;&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noopener noreferrer"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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                <text>Baldwin St. and and Spadina Ave.</text>
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                <text>Rocky Zenyk Dobey&amp;nbsp;&lt;br /&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noopener noreferrer"&gt;CC BY-NC-ND 4.0&lt;/a&gt;</text>
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              <text>Super 8 film; Plus-X, Tri-X, Kodachrome 40</text>
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              <text>The footage was shot around Toronto between 1991-1993. I have retained the original 1995 edit reflecting my then obsessions with film grain, macro body parts, explosive color and time exposure. My 2010 edit involved a switch of two musical pieces.&#13;
&#13;
I believe that's Sparky providing vocals wearing his then famous long-johns with either Lindsay or Gar on drums. I actually projected this one evening live at Bread Spreads long ago to a "slightly" inebriated crowd. Quite surreal.&#13;
&#13;
Technical:&#13;
&#13;
I utilized the German Leicina (Leica) Special Super 8 camera with the superb optics of the Schnieder 10mm Cinegon Macro.&#13;
&#13;
The combination of manual time exposure ( 3 seconds per frame) in conjunction with interval of 0.5 seconds between frames produced what I called the Francis Bacon Screaming Pope effect. I shot close to 300-500 frames that evening of various musicians at Sneaky Dee's long ago. The organic "fluid-ness" was produced by the long exposures which froze people in approximately three positions interconnected my "streaks" in each frame. The same technique was utilized regarding the fireworks but in glorious Kodachrome. My infant son was a labour of love captured by handheld macro shots.&#13;
&#13;
The slow motion effect was achieved by setting the transfer playback at approximately 5 frames per second in the film/digital transfer bay.</text>
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                <text>This is my experimental 1995 film "Silly Billy" starring my infant son, fireworks and various musicians including Grant Buffett, Shadowy Men On A Shadowy Planet and various bicycle courier bands.</text>
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                <text>Ontario Place, Sneaky Dee's</text>
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                <text>Nicholas Kovats &lt;br /&gt;&lt;a href="https://vimeo.com/25466819" target="_blank" rel="noopener noreferrer"&gt;https://vimeo.com/25466819&lt;/a&gt;</text>
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              <text>The postcard promotes Anna Malkin's film "Mom I think I'm... a coming out story". The back of the postcard provides details about the film's format, actors, production team and showtimes.  The film stars actors Mary Bunch, Heather James, Sandra Jarr and Martha Judge and was produced by Charles Street Video. The preview screening was held at VTape on Richmond St. </text>
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              <text>Kathedral B was a Queer Anarchist household near Christie Pits that hosted up to 60 people during the 1988 Anarchist Unconvention.&#13;
&#13;
Alekz Vermont took this photo and made it into a postcard and sent it to me. It shows a group of us including the Vermont Family on the front lawn of Kathedral B. I think the photo was taken after the Anarchist Unconvention.</text>
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              <text>The back of the postcard, not meant to be read here, shows the Stamp Out AIDS sticker, upside down stamps, doodle and dense writing characteristic of our correspondence of the time. Postcards were the only way we communicated with each other unless someone found a phone card or access number.</text>
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&#13;
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              <text>Taken from the third issue of Toronto's The Circle zine, published by Mike White. (But not the Mike White of the impossibly funky zine Cashiers du Cinemart and The Projection Booth or the acting/directing/writing Mike White of School of Rock fame.) </text>
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                <text>A Few of Fifth Column's Favourite Things</text>
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                <text>A list of Fifth Column's favourite cultural ephemera listed by G,B, Jones, printed in The Circle zine. </text>
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                <text>old school cut and paste zine</text>
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