7 20 526 https://www.alternativetoronto.ca/archive/files/original/41b5aef35c965326d9c0339aedb0bbb9.jpg a0eada79a331c3f59cc7abc8bfb8e4c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charlie Brown Collection Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. On June 5th, 1995 Pennsylvania Governor Tom Ridge signed a death warrant for Mumia Abu-Jamal marking August 17th, 1995 as the execution date. In response, groups rallied together in demonstrations, in Toronto, and other cities. [SN] Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper poster Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Demo to Save Mumia Description An account of the resource Poster for a demonstration at the US Consulate held in support of Mumia Abu-Jamal. Source A related resource from which the described resource is derived Charlie Brown collection Date A point or period of time associated with an event in the lifecycle of the resource 1995-08-14 Contributor An entity responsible for making contributions to the resource Sylvia Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource poster Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant U.S. Consulate General, 360 University Ave, Toronto Creator An entity primarily responsible for making the resource Anti-Racist Action, Partisan Defense Committee, Toronto Committee To Free Mumia Abu-Jamal 1995 Aboriginal Defence League African Canadian Legal Clinic African Liberation Month Coalition Africans United Against In Partnership Against AIDS Anti-Colonial Action Alliance Anti-Racist Action Arm The Spirit Black Action Defence Committee Bolshevik Tendency Camp Sis Canada-Chile Information Committee Communist League Council of Iranian Refugees and Immigrants In Toronto Cross Cultural Communications Centre Haitian Resistance Movement Jewish Feminist Anti-Fascist League Labour Militant Law Union of Ontario Leonard Peltier Defence Committee-Canada Leonard Peltier Defence Committee-USA Multicultural Women In Concert Mumia Abu Jamal New Democratic Youth of Canada OCAP Ontario Coalition Against Poverty Partisan Defense Committee Prison News Service Prisoners With AIDS Support Action Network Prisoners' Justice Day Committee Sistah's Cafe Socialist Challenge South African Support and Information Centre Street Kids Against Racism (SKAR) Toronto Coalition Against Racism Toronto Committee to Free Mumia Abu-Jamal https://www.alternativetoronto.ca/archive/files/original/1979fb03d712cf42908269e6ff04b9d7.jpg 5398cabdba71050fbdedb39e25bc20e8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Demonstration Against Disposables Article in The Strand Description An account of the resource An article in The Strand covering OPIRG's demonstration against disposables whereby the group built a mountain of styrofoam cups in front of Sidney Smith. Creator An entity primarily responsible for making the resource The Strand Contributor An entity responsible for making contributions to the resource Tam Rayan Date A point or period of time associated with an event in the lifecycle of the resource 1991-11 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Sidney Smith Building, 100 St. George Street, Toronto Ontario, M5S 3G3 Source A related resource from which the described resource is derived OPIRG Archive Rights Information about rights held in and over the resource The Strand 1991 Demonstration Against Disposables Lennox J. Cadore OPIRG-Toronto Sidney Smith St. George Street The Strand https://www.alternativetoronto.ca/archive/files/original/f6ee293927a5cca92f73f98d767a81fc.jpg 796eec523543713cb96d62f8d248efdd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. An interactive exhibit included in OPIRG-Toronto's Anti-Gallery. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. Digital Photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Design Justice Network Installation Description An account of the resource Design Justice Network's interactive exhibit had participants think about design processes they know of, and create space for them to rethink them through a design justice lens, asking: Who was involved, who benefited and who was harmed in the design process? Creator An entity primarily responsible for making the resource Elise Antoniadis Contributor An entity responsible for making contributions to the resource Tam Rayan Date A point or period of time associated with an event in the lifecycle of the resource 2019-08-16 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Steelworkers Hall, 25 Cecil Street, Toronto Ontario, M5T 1N1 Source A related resource from which the described resource is derived OPIRG Archive Rights Information about rights held in and over the resource OPIRG-Toronto 2019 Anti-Gallery Cecil Street Design Justice Network OPIRG-Toronto Steelworkers Hall Student Choice Initiative https://www.alternativetoronto.ca/archive/files/original/fc79ee41351b4e4f72480fdbb54e8565.jpg 6584dd1a62cd52c3cfa3aa8ff07da11f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hal Kelly Collection Contributor An entity responsible for making contributions to the resource Hal Kelly Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. A night of deviant culture held at The Purple Institute art space which was on Gladstone just north of Queen. It grew out of a similarly themed radio show on CKLN hosted by Hal Kelly and Exclaim magazine's Ian Danzig - only 3 bucks! Featuring zines such as JD's, Trash Compactor, Killbaby, Vagina Dentata and others, extremely loud garage rock bands, videos from Sinister Cinema, and Roger Corman's Swamp Women on 16mm. It was a pretty good night - unless you were the people who came early to see Swamp Women which didn't end up screening until very late. They were mad and I still feel bad. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Physical Dimensions The actual physical size of the original image 8.5 X 11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Deviant Culture Exchange Description An account of the resource Flyer for 1st (and only) Deviant Culture Exchange Creator An entity primarily responsible for making the resource Hal Kelly and Ian Danzig Contributor An entity responsible for making contributions to the resource Hal Kelly Date A point or period of time associated with an event in the lifecycle of the resource 1993 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Purple Institute, 42 Gladstone Avenue Source A related resource from which the described resource is derived Hal Kelly, Personal Collection Type The nature or genre of the resource poster Rights Information about rights held in and over the resource Hal Kelly and Ian Danzig&nbsp;<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noreferrer noopener">CC-BY-NC-ND 4.0</a> Format The file format, physical medium, or dimensions of the resource JPEG 16mm 1993 CKLN Gladstone Avenue Hal Kelly Ian Danzig J.D.s Killbaby Purple Institute Queen Street West Roger Corman Sinister Cinema Trash Compactor Vagina Dentata https://www.alternativetoronto.ca/archive/files/original/f5805f15da45a4c702b083c890719e7a.jpg 6e3878f3d58eb9211973f72aa8bb7652 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. An interactive exhibit included in OPIRG-Toronto's Anti-Gallery. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. Digital Photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dr. Chun Resource Library Installation Description An account of the resource For the Anti-Gallery the Library's collective organized a Library pop-up where folks could have a comfy seat, take a breather from the event, and get a taste of a small part of the Library's collection by flipping through some of their original, handmade zines. Creator An entity primarily responsible for making the resource Elise Antoniadis Contributor An entity responsible for making contributions to the resource Tam Rayan Date A point or period of time associated with an event in the lifecycle of the resource 2019-08-16 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Steelworkers Hall, 25 Cecil Street, Toronto Ontario, M5T 1N1 Source A related resource from which the described resource is derived OPIRG Archive Rights Information about rights held in and over the resource OPIRG-Toronto 2019 Anti-Gallery Cecil Street Dr. Chun Resource Library OPIRG-Toronto Steelworkers Hall Student Choice Initiative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stu Vickars Collection Contributor An entity responsible for making contributions to the resource Stu Vickars Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Copy and paste the text you want to contribute here, or attach a file below. Dragonfly Is 25 By Stu Vickars Revolution was in the air throughout the world at the end of the 60's. It's hard to believe now when the only superpower left is becoming fascist and most national economies are marching to a neo-conservative beat but that was the passion of that time. The feeling was that anything could happen and young people would be the agents of change, a change that had to happen because the status quo was definitely not acceptable. The war in Vietnam was seen as the product of a corrupt system, it was massive violence being wrought upon an innocent people of another race. Governments everywhere were rocked by thousands of protesters in the streets of cities, many campuses had buildings occupied by students with demands. Some people, despairing of changing the system from within, created alternative institutions or moved to the country in order to build a better world. The counter-culture was not a fashion statement; it was the manifestation of the belief that change was imminent. The revolution didn't happen but the social landscape was changed forever. The war in Vietnam was stopped and movements that altered the operating paradigm of this culture had their beginnings (or renewal) in the sixties — environmentalism, feminism, gay rights, black liberation, anarchism, native rights, pacifism and their progressive off-shoots in the next decades — anti-racist action, midwifery, animal rights, organic foods, anti-nukes, alternative schools, co-ops of all kinds, punk rock. The Sex Pistols' Anarchy in the U.K was one of best selling albums of the 70's. No nuclear power plants have been built in the West in the last 20 years. Anti-ballistic missiles were shot down before they left the drawing boards and the UN got a number of important international treaties signed by many nations (with one notable exception). Any politician hoping to get elected (here in Canada) has to pay lip service to a current environmental issue. (How can you tell when a politician is lying? Their lips are moving.) Things may not look too different on the surface than they were 40 years ago but underneath is a new world (still) waiting to be born. The most significant change — one that altered the ground we walk on but is so widespread it hardly gets noticed — is in gender relations. Feminism took many forms from the demand for equal pay for work of equal value to goddess worshipping, womyn-only music festivals. Equal rights for women has come to mean equal opportunity for jobs which is important but also doubled the number of potential wage slaves for Capital to exploit. Feminism has also saved many lives by exposing the darkest side of patriarchy — violence towards women & children. In the domestic sphere, it was usually assumed in communes that housework was to be done by everyone irregardless of sex. It was easier to define what we didn't want in that new world after the revolution — violence, discrimination, patriarchy, poverty — than to define what we did want, what kind of system would replace the old order. When you throw out capitalism and communism, what are you left with? Everybody wants peace & love and while grounding those lofty ideals into more workable concepts like non-violence and co-operation is laudable, it's still a far cry from creating a new society. Armed with such ideals, however, we did our best in the next years to put them into practice amongst ourselves in our own situations. The University of Waterloo was one of the Canadian campuses blessed with strikes & sit-ins around the end of the sixties. At that time, i left home and enrolled in a new experimental program called Man-Environment Studies there. Over the next years, i witnessed another American invasion but this time it was of Yankees opposed to the Empire. An SDS radical came and rapped with the residents of my dorm. Ralph Nader gave a speech and Public Interest Research Groups started popping up. Draft dodgers were being put up in safe houses by university professors. A fellow freak, Jim Campbell, and i started a co-op house to reduce our cost of living and a dozen students crammed into it. Between the two of us, we kept it going for the next 7 years until we bought the land that became Dragonfly. Those were heady days, the 70's — days of struggle and days of joy. The struggle was on all levels from the psychological to global and joy took many forms — dancing, swimming, gardening. We became known as the Fairview Collective and our members took part in many of the projects of the alternative/left community of Waterloo and its sister city of Kitchener — food co-op, resource centres, women's shelters, Third World support, gay liberation, various publications. The percentage of students in our household dwindled over the years but we remained connected to radical campus politics. We engaged in ideological battles there with authoritarian leftists and also got involved in municipal politics over the provision of services like transit. In 1978, enough people with enough money came together at Fairview to buy 250 acres of Canadian Shield in eastern Ontario. I hadn't finished university, having dropped out after two and a half years in order to work on building community. What i had learned in that time was that a utopian world would consist of communities freely associating with each other in federations. By the end of the decade, Jim & i were living an attempt at that dream along with a dozen others. It was a commune but was seldom referred to as such because of the word had fallen into disfavour from being over-hyped by the media. The place was called Dragonfly in honour of the insect that devoured other insects that were the bane of an existence in the backwoods — mosquitoes and black flies. We were the last of a number of groups that had moved to the Bancroft area in that decade, we had joined a cluster of back-to-the-land folks like many that still dot the landscape throughout North America. Over the next 25 years, we maintained a collective identity whereas the previous communes had devolved to families & individuals sharing the land as neighbours or else everyone moved away and the land went back on the market. At first, we wanted to become as self-sufficient as possible so we could provide for our own needs without having to rely on the wage economy. It wasn't just for ideological reasons — opposition to Capitalism and resistance to being bossed in a workplace — but also because we were new to a rural area where there were few jobs to begin with. We were quite industrious in the early years — adding buildings, animals, gardens and machinery to a farm which the old couple we had bought it from had already been recovering from ruin. The population fluctuated greatly and most of the Fairview folk had moved on within a few years. Some have remained involved since then and meetings held once or twice a year on the property help manage the place. Because of the legal structure of our ownership — it's called joint tenants and technically is the same as marriage — the land would be almost impossible to sell. So we're stuck with it for better or for worse. For me, it's a home of last resort, a place i can always return to if all else fails. Some of us started working at a greenhouse operated by back-to-the-land folks north of us. It was a simple plastic and hoop structure used to start vegetable crops and flowers that were sold out the door to customers in the area. When the family running it broke up, we inherited the business and moved the structure to Dragonfly. Since that time, the greenhouse business has become a focal point of activity and interest on the farm while remaining semi-autonomous. It now stands as the oldest retail business around the small village down the road. Our existence has been important to the local counter-culture. The fact of it just being there and not going anywhere has attracted others to move in as neighbours. Dragonfliers have always been involved in the community, engaging in the same realm of activities that we had been at Fairview. We housed the publication of an alternative magazine that had grown out of the food co-op. The provincial anti-nuke network had a meeting there. Later, we had our own version of opposition to the nuclear establishment when the old uranium mine was proposed as a waste dump. (Of course, people who grew up in the area were more militant than we were in getting the idea deep sixed.) Many around Bancroft know of Dragonfly as an entity that is more just the people living there. We also played a role beyond the area because of people going back and forth to the cities and city folks coming to visit. Part of the land is devoted to a conference site which has hosted gatherings of anarchists, new agers, witches and kids. The sixties took a longer time to die there than most other places. I've always seen Dragonfly as 250 acres of potential, there is so much that could have happened and still could. At present, more people would be helpful but first we have to address the reasons people left in the first place and why more are not joining us. There are problems from the outside and another set of problems internally. The lack of employment in the area has been a factor. It's a problem that people have tried to get around by creating their own work, as with the greenhouse. Incomes have also come from selling some crops, making crafts, working with wood, or using computer skills as well as from transfer payments like welfare and pensions. Growth of more houses for people to live in has been limited by legal restrictions that the province forces the municipalities to adopt. The will to challenge these restrictions or to bend them has been lacking, however. The infra-structure that most of us grew up with just isn't there —running water, electricity everywhere, sewage disposal and automatic furnaces. Anyone wanting to live at Dragonfly has to start from scratch. There's also a lack of social infrastructure, the problem of people not being able to relate very well in ways outside of hierarchy and legal retributions. That means there is no effective system of accountability: meetings are held and decisions are reached and then nothing happens. Direct action outside the meetings becomes the way of getting things done — doing it yourself. It's hard to make plans when things are so poorly organized. A hip psych prof in my second year of university was asked why so many communes broke up and he answered with one word —"sex." I would amend that to say "sex and its consequences —offspring." The green-eyed monster of jealousy was always ready to strike but parental break-ups have been more of a problem since the first couple at Fairview decided to have a child. This is where the gender war hits the front lines of social change. We really need some kind of mechanism for resolving conflicts besides having one (or both) parties fleeing the situation. It's always two or more rational adults involved but when emotions get mixed in then reason is a casualty. The bond with a child is quite powerful but two people have it, two people in a world of changing values. The whole world is physically changing. All the latest catastrophes are incontrovertible proof that global warming is a reality. It needs Revolution if there is to be any hope that we won't burn up. Saving the world will take more than words, it will mean putting into practice all the methods of living in harmony with Nature that we are capable of. We know it's possible and it was the only way before civilization drove a wedge between humans and everything else. The greatest value for Dragonfly is that we are part of the movement proving that another way is possible, that the future of humanity is not development as usually conceived of. We don't have to be destined to live in energy-intensive suburbs stretched between mega-cities. Enjoying all the amenities of modern life and eating well do not have to depend on the exploitation of natural resources and other people. Our predecessors (speaking as a white North American) built these countries starting with almost nothing so it behooves us to build a better world (starting with a lot more) because we have to. The technology is there, how many more blackouts will there need to be before we seriously start using it? It is in communities like Dragonfly where such technologies are being tested and new ways of relating to one another are being implemented. There is a Federation of Intentional Communities that stretches around the world, thousands of communities providing living proof that hierarchical capitalism is not the only future in store for us. Dragonfly is a member but more people are needed there and in the whole movement. Co-op houses and lofts in the cities are urban examples of people trying to go beyond the nuclear family, consumer-oriented lifestyle that is driving this planet to the brink of disaster. For me, the Revolution consists of being conscious of my effect on the physical & social environment and then acting in the light of that awareness. When enough people give up their cynicism about change and empower themselves to make a difference about the way things are going, then it will happen. There is hope yet. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. Word document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dragonfly is 25 Creator An entity primarily responsible for making the resource Stu Vickars Contributor An entity responsible for making contributions to the resource Lilian Radovac Date A point or period of time associated with an event in the lifecycle of the resource 2003-12 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Dragonfly Source A related resource from which the described resource is derived Stu Vickars Type The nature or genre of the resource essay Rights Information about rights held in and over the resource Stu Vickars <br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noopener noreferrer">CC-BY-NC-ND 4.0</a> Description An account of the resource An essay commemorating the 25th anniversary of the antiauthoritarian commune Dragonfly. Written for the last issue of Kick It Over which was printed but never published. Format The file format, physical medium, or dimensions of the resource Word doc 2003 Dragonfly Intentional Communities Jim Campbell https://www.alternativetoronto.ca/archive/files/original/a665ab63e9d8735545a83bfab3d6af5a.jpg dacec3eaf9cc3209548d15e970f16c41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hal Kelly Collection Contributor An entity responsible for making contributions to the resource Hal Kelly Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Physical Dimensions The actual physical size of the original image 4 1/4" x 5 1/2". Context Additional information about the item. Featuring DJ's dEnise bEnson & geon drewitt and Mr. Leatherman Toronto Competition. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dungeon, Opening Night Bash for Queer Culture '91 Description An account of the resource An invitation to the open night party for Queerculture '91. Creator An entity primarily responsible for making the resource Buddies in Bad Times Theatre Contributor An entity responsible for making contributions to the resource Hal Kelly Date A point or period of time associated with an event in the lifecycle of the resource 1991-04-06 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 142 George Street, Toronto. Source A related resource from which the described resource is derived Personal Collection Rights Information about rights held in and over the resource Buddies in Bad Times, Queerculture '91. Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource invitation 1991 Buddies in Bad Times dEnice bEnson Geon Drewitt George Street Mr. Leathermen Noise Queerculture https://www.alternativetoronto.ca/archive/files/original/3e79df5935fa9c5f9ce48a3bbdced261.jpg 072c0b3faa6956477df4ce274aca24cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steve Penfold Collection Subject The topic of the resource Rally on October 25 and 26th, 1996 Creator An entity primarily responsible for making the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource 1996-10-25 and 1996-10-26 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource East York Civic Employees Union Creator An entity primarily responsible for making the resource Steve Penfold Contributor An entity responsible for making contributions to the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource 1996-10-26 Source A related resource from which the described resource is derived Sway Collection Rights Information about rights held in and over the resource Steve Penfold<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode" target="_blank" rel="noopener noreferrer">CC BY-NC-ND 4.0</a> Format The file format, physical medium, or dimensions of the resource JPEG Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Looking down University Avenue from Wellington Street Description An account of the resource Photo taken during the Metro Days of Action march of the East York Civic Employees Union. 1996 East York Civic Employees Union Metro Days of Action Mike Harris https://www.alternativetoronto.ca/archive/files/original/d0d82acf0ccef8dbf09c2b15480569be.pdf 75b10633451cd6710dffb11ed5ea6a31 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. Describes 10 stops along the tour. The authors of the tour were hired as summer-staff to develop the 'EcoGuide' Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eco-Tour Field Guide Description An account of the resource Packet describing the path and stops along the Eco-Tour Creator An entity primarily responsible for making the resource Julia Langer and David Sider for OPIRG Contributor An entity responsible for making contributions to the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource 1986-06-01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto City Hall, 100 Queen St West, Toronto, ON M5H 2N2 Source A related resource from which the described resource is derived OPIRG Collection Rights Information about rights held in and over the resource OPIRG Toronto<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode">CC BY-NC-ND 4.0</a> 1986 David Sider Ecotour Julia Langer OPIRG-Toronto Queen Street West https://www.alternativetoronto.ca/archive/files/original/ed2237e93ec0eeb08cef5ff90c2bb38e.pdf eaedb260f3f6ad64c7f082e5a1ea4d13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arm the Spirit Collection Contributor An entity responsible for making contributions to the resource Arm the Spirit Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Context Additional information about the item. Ecomedia was an internationally connected, Toronto-based anarchist bulletin that began circulating in 1987. It ceased publication in the early 1990s. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecomedia #12 Description An account of the resource Issue of Ecomedia anarchist bi-weekly bulletin. Creator An entity primarily responsible for making the resource Ecomedia Contributor An entity responsible for making contributions to the resource Sylvia Nowak Date A point or period of time associated with an event in the lifecycle of the resource 09-30-1986 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Toronto Source A related resource from which the described resource is derived Arm the Spirit archive Type The nature or genre of the resource Zine 1986 Anarchism Direct Action Ecomedia https://www.alternativetoronto.ca/archive/files/original/6c954ebc47b612e61767ef931eceed79.pdf af6c6a0642de18646690c5eb753de3fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stu Vickars Collection Contributor An entity responsible for making contributions to the resource Stu Vickars Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Context Additional information about the item. Ecomedia was an internationally connected, Toronto-based anarchist bulletin that began circulating in 1987. It ceased publication in the early 1990s. [text by SV] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecomedia #15 Description An account of the resource Early issue of the Ecomedia anarchist bi-weekly bulletin. Creator An entity primarily responsible for making the resource Ecomedia Contributor An entity responsible for making contributions to the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource December 15-28, 1987 Source A related resource from which the described resource is derived Stu Vickars Collection Type The nature or genre of the resource periodical Rights Information about rights held in and over the resource From masthead: "All Material is Anti-Copy Right" Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Station F, Toronto, Yonge St. and Charles St. Format The file format, physical medium, or dimensions of the resource PDF 1987 abortion rights Anarchism Animal Liberation Ecomedia Lubicon Rote Zora Sarawak Blockade Six Nations Oneida Station F https://www.alternativetoronto.ca/archive/files/original/9542aa75d845542441cb1c7021babd24.pdf f378ab7448009e86113ac7573f589f97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stu Vickars Collection Contributor An entity responsible for making contributions to the resource Stu Vickars Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Context Additional information about the item. Ecomedia was an internationally connected, Toronto-based anarchist bulletin that began circulating in 1987. It ceased publication in the early 1990s. [text by SV] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecomedia #38 Description An account of the resource Issue of Ecomedia anarchist bi-weekly bulletin. Creator An entity primarily responsible for making the resource Ecomedia Contributor An entity responsible for making contributions to the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource November 1-14, 1988 Source A related resource from which the described resource is derived Stu Vickars Collection Type The nature or genre of the resource bulletin Rights Information about rights held in and over the resource From masthead: "All Material Is Anti-Copy right!" Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Station F, Toronto, Yonge St. and Charles St. Format The file format, physical medium, or dimensions of the resource PDF 1988 Anarchism Ecomedia Lavender Panthers Lubicon Sandinistas Station F Yuppies https://www.alternativetoronto.ca/archive/files/original/cbac17441c93c6c3220251b5bb4d8a09.pdf a4bbbe5cae13ed65ecc8ad0fa23d9c97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stu Vickars Collection Contributor An entity responsible for making contributions to the resource Stu Vickars Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Context Additional information about the item. Ecomedia was an internationally connected, Toronto-based anarchist bulletin that began circulating in 1987. It ceased publication in the early 1990s. [text by SV] Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecomedia #41 Description An account of the resource Issue of Ecomedia anarchist bi-weekly bulletin. Creator An entity primarily responsible for making the resource Ecomedia Contributor An entity responsible for making contributions to the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource December 13-27, 1988 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Station F, Toronto, Yonge St. and Charles St. Source A related resource from which the described resource is derived Stu Vickars Collection Type The nature or genre of the resource bulletin Rights Information about rights held in and over the resource From masthead: "All Material Is Anti-Copy right!" Format The file format, physical medium, or dimensions of the resource PDF 1988 AIDS Activism Ecomedia Station F Survival Gathering https://www.alternativetoronto.ca/archive/files/original/4648c32147488a196d39ab842ade1764.pdf b9e70c997b67cafd30dd3076317a5319 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stu Vickars Collection Contributor An entity responsible for making contributions to the resource Stu Vickars Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Context Additional information about the item. Ecomedia was an internationally connected, Toronto-based anarchist bulletin that began circulating in 1987. It ceased publication in the early 1990s. [text by SV] Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecomedia #49 Description An account of the resource Issue of Ecomedia anarchist bi-weekly bulletin. Creator An entity primarily responsible for making the resource Ecomedia Contributor An entity responsible for making contributions to the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource April 4-17, 1989 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Station F, Toronto, Yonge St. and Charles St. Source A related resource from which the described resource is derived Stu Vickars Collection Type The nature or genre of the resource bulletin Rights Information about rights held in and over the resource From masthead: "All Material Is Anti-Copy right!" Format The file format, physical medium, or dimensions of the resource PDF 1989 abortion rights Anarchism Leonard Peltier Station F https://www.alternativetoronto.ca/archive/files/original/485c8a253cae021c0c0629ba140f519c.pdf 068bb6094a76e5150b575ad0c8d8f928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stu Vickars Collection Contributor An entity responsible for making contributions to the resource Stu Vickars Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Context Additional information about the item. Ecomedia was an internationally connected, Toronto-based anarchist bulletin that began circulating in 1987. It ceased publication in the early 1990s. [text by SV] Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecomedia #50 Description An account of the resource Issue of Ecomedia anarchist bi-weekly bulletin. Creator An entity primarily responsible for making the resource Ecomedia Contributor An entity responsible for making contributions to the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource April 18-May 9, 1989 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Station F, Toronto, Yonge St. and Charles St. Source A related resource from which the described resource is derived Stu Vickars Collection Type The nature or genre of the resource bulletin Rights Information about rights held in and over the resource From masthead: "All Material Is Anti-Copy right!" Format The file format, physical medium, or dimensions of the resource PDF 1989 Animal Liberation Front Ecomedia Fran Trutt Resist to Exist Station F War on Drugs war on the poor https://www.alternativetoronto.ca/archive/files/original/04767476041d59fde137b61817ee434d.pdf 78f5b11f273837c7326b5eb18fabd3e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stu Vickars Collection Contributor An entity responsible for making contributions to the resource Stu Vickars Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Context Additional information about the item. Ecomedia was an internationally connected, Toronto-based anarchist bulletin that began circulating in 1987. It ceased publication in the early 1990s. [text by SV] Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecomedia #59 Description An account of the resource Issue of Ecomedia anarchist bi-weekly bulletin. Creator An entity primarily responsible for making the resource Ecomedia Contributor An entity responsible for making contributions to the resource Simon Vickers Date A point or period of time associated with an event in the lifecycle of the resource September 5-18, 1989 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Station F, Toronto, Yonge St. and Charles St. Source A related resource from which the described resource is derived Stu Vickars Collection Type The nature or genre of the resource bulletin Rights Information about rights held in and over the resource From masthead: "All Material Is Anti-Copy right!" Format The file format, physical medium, or dimensions of the resource PDF 1989 AIDS Activism Anarchism Ecomedia Huey Newton Station F https://www.alternativetoronto.ca/archive/files/original/47bc1a5b4f719e173b3952f11bbfe78c.jpg f68e110a167e3323f19e44380105c973 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hal Kelly Collection Contributor An entity responsible for making contributions to the resource Hal Kelly Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. Part of The Beguiling's 5 Anniversary Celebration. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Physical Dimensions The actual physical size of the original image 8 1/2" x 11" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ed the Happy Clown Definitive Edition Launch Party at The Beguiling Description An account of the resource Flyer advertising the launch party of the Definitive Edition of Chester Brown's "Ed the Happy Clown" featuring special guests Seth & Joe Matt as part of the 5th Anniversary Celebration at The Beguiling. Creator An entity primarily responsible for making the resource The Beguiling Contributor An entity responsible for making contributions to the resource Hal Kelly Date A point or period of time associated with an event in the lifecycle of the resource 1992-06-13 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Beguiling, 601 Markham Street (R.I.P.), Toronto. Source A related resource from which the described resource is derived Hall Kelly Collection Rights Information about rights held in and over the resource The Beguiling Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource flyer 1992 Chester Brown Ed the Happy Clown Joe Matt Markham Street Seth The Beguiling Yummy Fur https://www.alternativetoronto.ca/archive/files/original/935d88cc98d3103a1c291d71e5e746d4.jpg 3669cf63237429cc49f125baad29bbe4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna Gutmanis Collection Description An account of the resource "Anna Gutmanis is an award-winning Canadian songwriter, singer and keyboardist who writes and records across musical genres. Her 2014 single release “Lately It’s Cold” won a Global Music Award. Several songs from Anna's critically-acclaimed album "Glimmer In The Dark" appeared on 3 different Australian Indie Radio Charts (Urban, World, and Easy Listening) and on the Roots Music Report 2014 Top 100 Pop Song chart. The official video for "Another Way Out" won the 2014 Best Short Documentary award at QCinema Texas and was used by PFLAG as an educational tool. The song “I Am Who I Am” is an anthem to the LGBTQ rights movement, and has been recorded in rock and dance formats. The rock version won the 2009 Pride Song Award, and the official video for the 2019 Dance Version won several awards at international film festivals. Other recordings include Anna's eponymous debut album, which still receives airplay. Anna is also a street photographer and visual artist, having contributed cover art and design for two of her music releases. Her portrait of Billy Joel can be seen on his website. Anna often performs live in and around Toronto, and has also played across Canada and the United States." - from Gutmanis' <a href="https://annagutmanis.com/biography/">official website.</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. The Emily Stowe Shelter for Women was an organization in Scarborough that provided housing, support, counselling, and skills training for women and their children at risk of gender-based violence in Toronto. In the 80s and 90s annual benefit concerts featuring local musicians and bands were held in Toronto to raise money for the shelter. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emily Stowe Shelter for Women First Annual Benefit Description An account of the resource A poster advertising the first of what would eventually become an annual series of benefit concerts for the Emily Stowe Shelter for Women. Contributor An entity responsible for making contributions to the resource Anna Gutmanis<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0</a> Date A point or period of time associated with an event in the lifecycle of the resource 1983-07-27 to 1983-07-29 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Rivoli, 334 Queen Street West, Toronto Ontario, M5V 2A2 Source A related resource from which the described resource is derived Personal collection Rights Information about rights held in and over the resource Anna Gutmanis 1983 Anna Gutmanis Cee Dees Conditioned Response Curtis Driedger Diatribe Direktive 17 Emily Stowe Benefit Emily Stowe Shelter L'Etranger Maja Bannerman Queen Street West Rude Awakening The Rivoli Tulpa Word of Mouth https://www.alternativetoronto.ca/archive/files/original/6a01b4b22fe5e49e7e07c79b437cb002.jpg 1c029c28a7e5bc7c2e29f5036aee3e26 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna Gutmanis Collection Description An account of the resource "Anna Gutmanis is an award-winning Canadian songwriter, singer and keyboardist who writes and records across musical genres. Her 2014 single release “Lately It’s Cold” won a Global Music Award. Several songs from Anna's critically-acclaimed album "Glimmer In The Dark" appeared on 3 different Australian Indie Radio Charts (Urban, World, and Easy Listening) and on the Roots Music Report 2014 Top 100 Pop Song chart. The official video for "Another Way Out" won the 2014 Best Short Documentary award at QCinema Texas and was used by PFLAG as an educational tool. The song “I Am Who I Am” is an anthem to the LGBTQ rights movement, and has been recorded in rock and dance formats. The rock version won the 2009 Pride Song Award, and the official video for the 2019 Dance Version won several awards at international film festivals. Other recordings include Anna's eponymous debut album, which still receives airplay. Anna is also a street photographer and visual artist, having contributed cover art and design for two of her music releases. Her portrait of Billy Joel can be seen on his website. Anna often performs live in and around Toronto, and has also played across Canada and the United States." - from Gutmanis' <a href="https://annagutmanis.com/biography/">official website.</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. My second-favourite poster is the one from the Emily Stowe Shelter Benefit, again because of my being billed alongside awesome people (like Lillian Allen and Faith Nolan). I played at 4 of those annual shelter benefits during the 80s - they were organized by L'etranger. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emily Stowe Shelter for Women Fourth Annual Benefit Description An account of the resource A show poster for a 4-night festival hosted as a benefit for the Emily Stowe Shelter for Women. Creator An entity primarily responsible for making the resource Andrew Cash Contributor An entity responsible for making contributions to the resource Anna Gutmanis Date A point or period of time associated with an event in the lifecycle of the resource 1987-01-14 to 1987-01-17 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Rivoli, 334 Queen Street West, Toronto, Ontario, M5V 2A2 Source A related resource from which the described resource is derived Personal collection Rights Information about rights held in and over the resource Anna Gutmanis<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0</a> Andrew Cash Anna Gutmanis Catherine Mackay Curtis Driedger Demi/Monde Emily Stowe Shelter Faith Nolan First Man Over Heratix Lillian Allen Maya Bannerman Plasterscene Replicas Queen Street West Rheostatics Rivoli Sherry Shute St. Anne & The Visitation Taylor Green The Lawn Third Man In Tulpa https://www.alternativetoronto.ca/archive/files/original/9595cac3a07972b2fd277bbc6ac4208f.jpg 7052450a8812b4b82070190671f730d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna Gutmanis Collection Description An account of the resource "Anna Gutmanis is an award-winning Canadian songwriter, singer and keyboardist who writes and records across musical genres. Her 2014 single release “Lately It’s Cold” won a Global Music Award. Several songs from Anna's critically-acclaimed album "Glimmer In The Dark" appeared on 3 different Australian Indie Radio Charts (Urban, World, and Easy Listening) and on the Roots Music Report 2014 Top 100 Pop Song chart. The official video for "Another Way Out" won the 2014 Best Short Documentary award at QCinema Texas and was used by PFLAG as an educational tool. The song “I Am Who I Am” is an anthem to the LGBTQ rights movement, and has been recorded in rock and dance formats. The rock version won the 2009 Pride Song Award, and the official video for the 2019 Dance Version won several awards at international film festivals. Other recordings include Anna's eponymous debut album, which still receives airplay. Anna is also a street photographer and visual artist, having contributed cover art and design for two of her music releases. Her portrait of Billy Joel can be seen on his website. Anna often performs live in and around Toronto, and has also played across Canada and the United States." - from Gutmanis' <a href="https://annagutmanis.com/biography/">official website.</a> Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Context Additional information about the item. The Emily Stowe Shelter for Women was an organization in Scarborough that provided housing, support, counselling, and skills training for women and their children at risk of gender-based violence in Toronto. In the 80s and 90s annual benefit concerts featuring local musicians and bands were held in Toronto to raise money for the shelter. Original Format The type of object, such as paper, photo, cassette tape, Super 8, and additional data. paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emily Stowe Shelter for Women Second Annual Benefit Description An account of the resource A show poster advertising the second annual fundraising benefit concert series for the Emily Stowe Shelter for Women. Contributor An entity responsible for making contributions to the resource Anna Gutmanis Date A point or period of time associated with an event in the lifecycle of the resource 1984-11-28 to 1984-12-01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Rivoli, 337 Queen Street West, Toronto Ontario, M5V 2A2 Source A related resource from which the described resource is derived Personal collection Rights Information about rights held in and over the resource Anna Gutmanis<br /><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0</a> 1984 Anna Gutmanis Cee Dees Chalk Circle Daphne's Purple Closet Direktive 17 Emily Stowe Benefit Emily Stowe Shelter Fifth Column L'Etranger Maja Bannerman Queen Street West Rheostatics Rude Awakening Sheila Gostick The Clichettes The Rivoli Word of Mouth